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Photograph by Richard Heeps. Feathers, leaves, sticks and other fenland debris appears at the front of this photograph with a hazy blue fenland sky and scene blurred behind.
Mounted photograph by Richard Heeps. Feathers, leaves, sticks and other fenland debris appears at the front of this photograph with a hazy blue fenland sky and scene blurred behind.
Black framed photograph by Richard Heeps. Feathers, leaves, sticks and other fenland debris appears at the front of this photograph with a hazy blue fenland sky and scene blurred behind.
White framed photograph by Richard Heeps. Feathers, leaves, sticks and other fenland debris appears at the front of this photograph with a hazy blue fenland sky and scene blurred behind.
White framed photograph by Richard Heeps. Feathers, leaves, sticks and other fenland debris appears at the front of this photograph with a hazy blue fenland sky and scene blurred behind.
Two black framed photographs by Richard Heeps side by side. The left hand side one is of feathers, leaves, sticks and other fenland debris at the front of this photograph with a hazy blue fenland sky and scene blurred behind. The photograph on the right hand side is a fenland reed tussock sitting in the water, with a warm hazy blue and orange sky sitting behind.
Black framed photograph held by photographer Richard Heeps. Feathers, leaves, sticks and other fenland debris appears at the front of this photograph with a hazy blue fenland sky and scene blurred behind.
Black framed photograph by Richard Heeps in situ. Feathers, leaves, sticks and other fenland debris appears at the front of this photograph with a hazy blue fenland sky and scene blurred behind.

Jane Frost's 'Traces', Wicken, 2002

£75.00
£75.00
Tax included
Size Guide >

Jane's Frost's 'Traces', photograph by Richard Heeps taken when documenting Wicken Fen.

This artwork is a limited edition gloss photographic print, presented in a museum board white window mount and a choice of black or white box frame made professionally in the UK, framed prints are dry-mounted to aluminium. It is signed and numbered on reverse accompanied by a certificate of authenticity. 

Handmade to order.

Please note that the size listed refers to the image size. Mounting and framing will increase the final size of the artwork.

Back to Fenland

Sizes may vary slightly from image to image as we make each composition from the negative individually, either showing Richard's signature ragged edge (white border) as he prints full frame or showing the film rebate (black border) often showing the film make. Where the image size varies we adjust the window mount in order to maintain a frame size so like for like sizes can hang together.

 

Artwork Description 

Richard makes the c-type prints from negative in his own analogue colour darkroom in Cambridge. His paper of choice is Kodak Professional Endura Premier Gloss. When Richard has chosen to evolve the artwork, we work with Streamline Colour Lab. In our studio the print is dry-mounted to dibond which ensures a very flat image surface in both the short and long term. The prints are matted (window mounted) using a museum quality 100% cotton rag board especially manufactured to be compatible with the C-type archival Kodak photographic paper Richard uses. Richard does all mounting himself, using his precision engineering background to create the finished artwork. Eleanor fits the artworks to the frames. Traditionally photographic prints are signed and numbered on the back, accompanied by a certificate of authenticity. They can be signed on the front of the mount by request. If you would like us to make a larger artwork that is possible, the sizes listed are the largest we can make in our darkroom but we can go larger with our printing partners so please get in touch to discuss it.

 

Framing Description

Our frames are hand-made in the UK by Menor Photographic Fine Art Printing & Framing Specialists in Hertfordshire. We offer a choice of black or white wooden box frames which have depth to suit the size of the picture, the artwork set back from the glass. Our black frames are made from matt ebony stained obeche, in which you can see the detail of the wood grain whereas our white frames are made from beech and the wood grain is not visible. The wood is sustainably forested for both variations of frame. Artglass AR 70™ is a premium anti-reflective glass used by the finest museums around the world. If you would like to present you artwork in another way, we offer the choice to buy an unframed print only and can advise you on other options or recommend reputable companies to carry out the work.